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Hot off of Season 5, Cat Deeley, Nigel Lythgoe, and Mary Murphy reflected on some memorable moments from the season.
How was it hearing 3500 people at the finale welcome your “judges?”
Cat Deeley: It was great! It was so cool. I was literally like “Oh my God,” because to be perfectly honest, I knew we were going to be at the Kodak, but I didn’t know that it was going to be packed to the rafters. So when I first walked out I was like oh my god they’re even right at the back tippity top of the theatre. They’re cheering and clapping, and I kind of felt a little bit like a rock star which was great.
Which performances from Season 5 deserve Emmy nominations for choreography?
Nigel Lythgoe: I would definitely say Travis Wall’s piece with Jeanine and Jason, Mia Michaels’ addiction piece with Kupono and Kayla was quite fabulous, and there was a disco routine with Brandon and Janette that I thought was fantastic, and of course you must never rule out Tyce Diorio’s breast cancer inspired routine with Melissa and Ade. It was very strange - I never had so many emails, letters, and telephone calls with such positive thoughts behind them. And then we found out the lady that inspired Tyce is now cancer free. So it’s very strange how it all works. And it was another highlight to have Ellen DeGeneres on the show.
Mary Murphy: For me, there are several that stand out. For sure the Argentine Tango. It was one of the few that got a standing ovation from the judges and the audience. It was a simultaneous standing ovation. No one had to think about it; everybody was on their feet and it was truly something to see. And of course Tyce Diorio’s breast cancer number I think should be nominated, as well as Travis Wall with his contemporary piece. Those are the three that stand out in my mind right now.
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